Skip to main content

Time to Flip to Side B: The Cassette Tape is Back

Look out vinyl, the cassette tape is back. Nostalgia is part of the trend but there’s actually more to it than that.

According to Forbes, tapes experienced a relatively staggering 20% sales growth last year alone, putting them ahead of their vinyl counterparts. Since 2011, sales have quadrupled. It’s the kind of boon that puts the lights back on in places like the National Audio Company. There’s even a widely recognized Cassette Store Day (October 12) to celebrate the medium. All told, it’s music to the ears of audiophiles, the tape industry, and cars with dated music systems alike.

Image used with permission by copyright holder

Why the rise in popularity? Well, we’re very enamored of the ’90s, that’s for certain (does that mean the compact disc is next in line?). Economics plays a big role, too. Tapes are cheaper to produce, while still offering a richness of sound that’s hard to come by in the streaming era. Bands appreciate the low cost, as well as the speedy turnaround time. Pressing a vinyl record, while cool in its own timeless and tangible way, takes an eternity in comparison. A tape can be produced in a matter of days and is easy to pack along and sell on tour.

Recommended Videos

It’s a very real thing for indie labels like Burger Records in southern California, POST/POP out of London, and more. They’re taking advantage of the industrious nature of the cassette, along with its retro-cool factor. And it’s not just a counterculture move within music. Big-name acts like Jay-Z, Taylor Swift, and Lana Del Rey have released albums in this format.

For older music fans, it’s a way to become reacquainted with something from their formative years. For the younger crowd, it’s simply something new and wondrous, as they didn’t grow up troubleshooting stuck cassettes.

Image used with permission by copyright holder

There’s also a subtle revolt against digital sound at play. Anybody who’s enjoyed the room-filling resonance and dull crackle of a good 45 understands as much. There’s a similar high fidelity tied to cassette tapes. You can physically hold the music. And you’re in control, playing, pausing, repeating, and flipping at your leisure, without any annoying ads from your “free” streaming service of choice.

Also, the tape brings a rather fetching element back to playlist culture. People are hungry for a means of creating a mixtape that involves more than just clicking and dragging. Enter the actual mixtape, straight outta 1990. Stitching together tracks on tape requires more labor and is, therefore, more rewarding. It’s like creating a collage out of your favorite tracks. Plus, you get to pen your own handwritten liner notes.

“With many people increasingly experiencing ‘digital fatigue,’ cassettes — like vinyl before them — are being rediscovered by people across generations from all walks of life.”

Jean-Luc Renou is the CEO of Mullan, an international industrial outfit specializing in magnetic goods. The firm does significant business with audio professionals in the analog arena. One of the company’s major projects is RecordingTheMasters (RTM), which continues to revive old recordings as well as create new ones for artists across the globe. With the renewed interest in reel-to-tape manufacturing, Renou and Co. have been busy.

In addition to the tangibility factor, Renou cites the hiss of the cassette tape as one of its many draws. He calls it “analog warmth” and it brings a certain charm to the sonic table. “Now, with many people increasingly experiencing ‘digital fatigue,’ cassettes — like vinyl before them — are being rediscovered by people across generations from all walks of life,” Renou says. “They also remain a quick and effective way for artists to distribute their music at a reasonable cost.”

“While the technology is being refined all the time, the essence of what goes into making a quality cassette has remained the same over the years,” he adds. “The challenge today is less about innovation but more about maintaining consistency in quality and moving forward with a dwindling supply of human expertise and machinery in what is quite a sophisticated manufacturing process.”

So long as the demand for tape exists, the joys of analog music will persist. RTM is taking it to the next level, sponsoring workshops featuring the likes of Steve Albini. They continue to support analog recording sessions for rising bands and aid beginners in the use and calibration of analog machinery.

Dust off your old tape deck, be on the lookout for cassettes the next time you’re at a show, and savor the many advantages that come with a real recording.

Mark Stock
Mark Stock is a writer from Portland, Oregon. He fell into wine during the Recession and has been fixated on the stuff since…
The best sci-fi shows streaming right now
From Lost to The Twilight Zone, these are the best sci-fi shows ever made
The cast of Lost.

Sci-fi television has been around since the earliest days of the medium, and it's evolved along with the rest of television. In every era, though, there have been great sci-fi shows that remind us of how well the genre can fit on television.

Great science fiction can reflect on the world we know, even as it expands our understanding of what's possible. Regardless of exactly what these shows are about, though, each of them tells their story in gripping fashion, taking full advantage of what TV is capable of.

Read more
‘The Brutalist’ director Brady Corbet says he’s made no money promoting the film
The director said that he makes more directing commercials than he does making movies.
Adrien Brody in The Brutalist

It can be wonderful to get nominated for a bunch of awards, but The Brutalist director Brady Corbet said that it's not exactly a profitable one. In an interview on WTF with Marc Maron, Corbet said that he hadn't actually made any money promoting the movie.

“This is the first time I’ve made any money in years,” Corbet said, saying that his first real paycheck in a long time came from directing three advertisements in Portugal. “Both my partner and I made zero dollars on the last two films we made. Yes, actually zero. So we had to just live off of a paycheck from three years ago and obviously, the timing during an awards campaign and travel every two or three days was less than ideal, but it was an opportunity that landed in my lap, and I jumped at it.”

Read more
John Malkovich said that he rejected Marvel movies prior to ‘Fantastic Four’ over low pay
He explained that Marvel movies took a lot of time, and he wanted to be paid accordingly.
John Malkovich in Fantastic Four

Over the course of its 15 years of existence, Marvel has lured a number of surprising actors into its orbit. We live in a world where Angelina Jolie and Harry Styles have both appeared in Marvel projects (actually the same one).

John Malkovich was one of the last Marvel holdouts, but that's changing with The Fantastic Four: First Steps. In an interview with GQ, Malkovich explained that he had been approached to do Marvel projects in the past, but had always turned them down.
“The reason I didn’t do them had nothing to do with any artistic considerations whatsoever,” Malkovich explained. “I didn’t like the deals they made, at all.”
He explained that he simply wanted more money to work through the conditions required to make a movie on this scale.
“These films are quite grueling to make…. If you’re going to hang from a crane in front of a green screen for six months, pay me. You don’t want to pay me, it’s cool, but then I don’t want to do it, because I’d rather be onstage, or be directing a play, or doing something else," he continued.
Malkovich is, perhaps unsurprisingly, playing villain Ivan Kragoff, also known as Red Ghost in the film. He explained that working on the movie was actually like stage work in some respects. "It’s not that dissimilar to doing theater,” he said, “You imagine a bunch of stuff that isn’t there and do your little play.”

Read more