Skip to main content

The Manual may earn a commission when you buy through links on our site.

Kanye’s Early Days Come Out in Full Fury in a First Look at Netflix’s ‘Jeen-Yuhs’

Mos Def and Kanye West in a 2002 home movie filmed in New York that will be featured in the upcoming Netflix documentary, 'Jeen-Yuhs.'
Mos Def and Kanye West in a 2002 home movie filmed in New York that will be featured in the upcoming Netflix documentary, ‘Jeen-Yuhs.’ Image used with permission by copyright holder

Kanye West has been an iconic cultural presence for much of the last two decades. Be it hip-hop, fashion, politics, or television, Kanye has been there to spit and to show his opinion in one way or another. And yet, West remains elusive, an enigmatic cipher whose refracted views are so bright that his rise and his roots remain hidden behind the curtain. 

As of April, 2021 Netflix went about rectifying that with an announcement that they had purchased a ‘Ye documentary that spans over 21 years of the rapper and designer’s career. During the streaming service’s Tudum event, Netflix announced the title of the documentary, Jeen-Yuhs (as in genius) and revealed a clip that already has audience’s buzzing. 

Recommended Videos

The two-minute trailer catches Mos Def and West rolling out freestyled verses that would later become Two Words, a standout on the artist’s seminal debut, The College Dropout. Kanye’s emotional delivery begins at intense and amps up from there.

West’s machine gun bar is punctuated by an emphatic expletive and, “Pay me!” halfway through. The people in the room clap and voice the requisite accolades for the solid, stuffed bars. And yet, West, off screen, is still going. When the camera cuts back, he’s leapt from his seat, eyes blazing, not satisfied until listeners are laid flat out on the floor.

“Screamin’ Jesus save me! You know I had a game B. I can’t let ‘em change me, cuz’ on judgement day, you goan’ blame me…”

An elated Mos Def (an artist at the top of the hip-hop world in 2002, no less), can only grin like a little kid and utter an awed “Whhhaaattt?” after the eruption.

The young man is revealed not only by the boulder-sized chip on his shoulder, but by an insistence to show and to prove, even to just a few men in a hotel room, that this human will not be stopped. 

“From the bottom, so the top’s the only place to go now.”

Related Guides

Vehemence spills over into a vitality that sparks the scant spectators. Wood Harris, who would soon be known for his own epochal performance as Avon Barksdale in The Wire, even flashes a quick, stunned eyebrow-raise at the burst from the man who would soon become one of the most popular and controversial figures in music.

The multi-part series will be chronicled by Clarence “Coodie” Simmons and Chike Ozah (aka, Coodie & Chike), two frequent West collaborators. The pair have been collecting these views into ‘Ye’s life and work since the early 2000s, granting a never-before-seen access into the celebrity’s story. 

Netflix paid out approximately $30 million to get their hands on the documentary footage and the never-before-seen archival takes. Jeen-Yuhs will span two decades, covering everything from Ye’s beginnings, his career in music and fashion, his failed 2020 presidential bid, and the death of his mother, Donda West. Whether or not that covers ‘Ye’s separation and divorce from Kim Kardashian remains to be seen.

Don’t get too impatient for Jeen-Yuhs, though, as this documentary is set to release “sometime” in 2022.

Watch Now — Jeen-Yuhs First Look

Read More: Kanye West’s $57 Million Oceanside Bachelor Pad

Matthew Denis
Former Digital Trends Contributor
Matt Denis is an on-the-go remote multimedia reporter, exploring arts, culture, and the existential in the Pacific Northwest…
The best sci-fi shows streaming right now
From Lost to The Twilight Zone, these are the best sci-fi shows ever made
The cast of Lost.

Sci-fi television has been around since the earliest days of the medium, and it's evolved along with the rest of television. In every era, though, there have been great sci-fi shows that remind us of how well the genre can fit on television.

Great science fiction can reflect on the world we know, even as it expands our understanding of what's possible. Regardless of exactly what these shows are about, though, each of them tells their story in gripping fashion, taking full advantage of what TV is capable of.

Read more
‘The Brutalist’ director Brady Corbet says he’s made no money promoting the film
The director said that he makes more directing commercials than he does making movies.
Adrien Brody in The Brutalist

It can be wonderful to get nominated for a bunch of awards, but The Brutalist director Brady Corbet said that it's not exactly a profitable one. In an interview on WTF with Marc Maron, Corbet said that he hadn't actually made any money promoting the movie.

“This is the first time I’ve made any money in years,” Corbet said, saying that his first real paycheck in a long time came from directing three advertisements in Portugal. “Both my partner and I made zero dollars on the last two films we made. Yes, actually zero. So we had to just live off of a paycheck from three years ago and obviously, the timing during an awards campaign and travel every two or three days was less than ideal, but it was an opportunity that landed in my lap, and I jumped at it.”

Read more
John Malkovich said that he rejected Marvel movies prior to ‘Fantastic Four’ over low pay
He explained that Marvel movies took a lot of time, and he wanted to be paid accordingly.
John Malkovich in Fantastic Four

Over the course of its 15 years of existence, Marvel has lured a number of surprising actors into its orbit. We live in a world where Angelina Jolie and Harry Styles have both appeared in Marvel projects (actually the same one).

John Malkovich was one of the last Marvel holdouts, but that's changing with The Fantastic Four: First Steps. In an interview with GQ, Malkovich explained that he had been approached to do Marvel projects in the past, but had always turned them down.
“The reason I didn’t do them had nothing to do with any artistic considerations whatsoever,” Malkovich explained. “I didn’t like the deals they made, at all.”
He explained that he simply wanted more money to work through the conditions required to make a movie on this scale.
“These films are quite grueling to make…. If you’re going to hang from a crane in front of a green screen for six months, pay me. You don’t want to pay me, it’s cool, but then I don’t want to do it, because I’d rather be onstage, or be directing a play, or doing something else," he continued.
Malkovich is, perhaps unsurprisingly, playing villain Ivan Kragoff, also known as Red Ghost in the film. He explained that working on the movie was actually like stage work in some respects. "It’s not that dissimilar to doing theater,” he said, “You imagine a bunch of stuff that isn’t there and do your little play.”

Read more