Skip to main content

Hi-Fi Corner: Make that turntable sing with Yamaha’s A-S1100 integrated amp

Yamaha AS1100 Amp
Image used with permission by copyright holder
Integrated amps are one of the best-loved tools by audiophiles looking for a way to coax crystal-clear stereo sound out of their favorite tunes. Yamaha proved that in spades with the company’s A-S2100 (listed at a staggering $4,000), which recently took up residence in our listening room for a few glorious weeks. Now the company has leveraged some of that S2100 tech to offer a slightly more manageable solution for the price-conscious listener, unveiling the new A-S1100.

Related: This stylish cast iron turntable is 100 pounds of awesome

Recommended Videos

At $3,000, the S1100 still sets a bar that will be less than attainable for your average buyer, but Yamaha is hoping the amp’s stock of goodies will get serious listeners to pony up the dough. To that end, the company has crafted the amp’s exterior with the same retro-style level meters as the A-S2100 and the flagship A-S3000 (priced at $7,000), as well as throwing in machined aluminum controls, an all-metal front panel, and piano black wooden side panels for a decidedly stylish power box.

Within its chic exterior, the S1100 boasts a power supply built around Yamaha’s patented floating balance design to keep things quiet, as well as employing the company’s MOSFET transistors. The large capacity El-core transformer is built for hefty bass and fast transients alike, and is set in the center to separate both sides of the stereo output in a left-right symmetrical design to prevent channel crossover, and create pristine stereo separation to feed your favorite cones.

Power is listed at 160 watts RMS per side at 4 ohms, with a claimed frequency response of 5Hz-100kHz. A phono preamp is included (naturally) equipped for both Moving Magnet and Moving Coil turntables, with a variable switch to go between the two set right next to the ground pin.

Like its predecessors, the S1100 is frill free, without the kind of features you’ll find in newer receivers like wireless connection, multiple digital inputs, or other innovations. But if you’re looking for straight ahead, bad-ass sound with nothing between you and your favorite stereo tracks, the S1100 is an enticing new addition to the Yamaha family.

This post first appeared on our “brother site” Digital Trends.

Ryan Waniata
Former Digital Trends Contributor
Ryan Waniata is an audio engineer, musician, composer, and all-around lover of all things tech, audio, and cinema. Hailing…
The best sci-fi shows streaming right now
From Lost to The Twilight Zone, these are the best sci-fi shows ever made
The cast of Lost.

Sci-fi television has been around since the earliest days of the medium, and it's evolved along with the rest of television. In every era, though, there have been great sci-fi shows that remind us of how well the genre can fit on television.

Great science fiction can reflect on the world we know, even as it expands our understanding of what's possible. Regardless of exactly what these shows are about, though, each of them tells their story in gripping fashion, taking full advantage of what TV is capable of.

Read more
‘The Brutalist’ director Brady Corbet says he’s made no money promoting the film
The director said that he makes more directing commercials than he does making movies.
Adrien Brody in The Brutalist

It can be wonderful to get nominated for a bunch of awards, but The Brutalist director Brady Corbet said that it's not exactly a profitable one. In an interview on WTF with Marc Maron, Corbet said that he hadn't actually made any money promoting the movie.

“This is the first time I’ve made any money in years,” Corbet said, saying that his first real paycheck in a long time came from directing three advertisements in Portugal. “Both my partner and I made zero dollars on the last two films we made. Yes, actually zero. So we had to just live off of a paycheck from three years ago and obviously, the timing during an awards campaign and travel every two or three days was less than ideal, but it was an opportunity that landed in my lap, and I jumped at it.”

Read more
John Malkovich said that he rejected Marvel movies prior to ‘Fantastic Four’ over low pay
He explained that Marvel movies took a lot of time, and he wanted to be paid accordingly.
John Malkovich in Fantastic Four

Over the course of its 15 years of existence, Marvel has lured a number of surprising actors into its orbit. We live in a world where Angelina Jolie and Harry Styles have both appeared in Marvel projects (actually the same one).

John Malkovich was one of the last Marvel holdouts, but that's changing with The Fantastic Four: First Steps. In an interview with GQ, Malkovich explained that he had been approached to do Marvel projects in the past, but had always turned them down.
“The reason I didn’t do them had nothing to do with any artistic considerations whatsoever,” Malkovich explained. “I didn’t like the deals they made, at all.”
He explained that he simply wanted more money to work through the conditions required to make a movie on this scale.
“These films are quite grueling to make…. If you’re going to hang from a crane in front of a green screen for six months, pay me. You don’t want to pay me, it’s cool, but then I don’t want to do it, because I’d rather be onstage, or be directing a play, or doing something else," he continued.
Malkovich is, perhaps unsurprisingly, playing villain Ivan Kragoff, also known as Red Ghost in the film. He explained that working on the movie was actually like stage work in some respects. "It’s not that dissimilar to doing theater,” he said, “You imagine a bunch of stuff that isn’t there and do your little play.”

Read more